Penzance Cornish Session new sets

Now that the Cornish session at the Admiral Benbow pub every Thursday, 8-10pm, has reached 6 months old some sets of tunes have really bedded in. We are creating fantastically energetic or contrasting lyrical sounds by experimenting with tune combinations using tempo or key changes.

Check out the current set list.

Most, although not all, tunes are played as they feature on the Cornish Music Resource website Kesson. There are some notable exceptions, for example, we play Pencarrow as a waltz not a jig as it appears on the tunery. You can find our version in Neil Davey’s Fooch! (no. 53). We play it after Can Jack.

Some things have become a tradition already. You can expect that we will always start with our furry set which is readily growing and has now reached 5 tunes in alternating keys and rhythms:

Super furry set

Duke of Cornwall finale

We always end with the Duke of Cornwall’s Reel (G) played pretty briskly. We don’t have many fast reels in the repertoire so this is a great way to end and always a crowd pleaser.

Highlights

The dance tune sets remain crowd and musician favourites, for example the D dance set: Cornish Quickstep, Bolingey Furry (AAB), Giddy’s King Harry and Begone from My Window.

The classic pair of slow waltzes Breannick and Now the Summer is Over (Andy Davey) are also firm favourites, well known across Cornwall and played by several bands and dance groups.

We are also partial to a wide range of modal and minor key sets. A recent addition which is set to stay is a slow jig called An Diberdhyans (The Parting) paired with Mike O’ Connor’s Dons Bewnans both in E minor (this tune became so rapidly popular thanks to the Penzance session that it has also been adopted by dance group Tros an Treys and the Golowan Band). An A minor set with similar tempo change is An Dufunyans (The Awakening) followed by the snappy and speedier polka by Neil Davey, Ewon An Mor – both in A minor.

Other crowd pleasers include: St Just Cock Dance (G), an Old Cornish polka that we play slightly differently nowadays, and Raffidy Dumitz with Gelasma (Dm), both modern tunes written by Len Davies and Robin Holmes respectively.

Jigs

Jigs are trickier to introduce to a completely new session as they are more demanding both in terms of learning tunes by heart and playing them fast. Cornish jigs tend to be played straight and even rather than with a lot of emphasis on the first and fourth beats of a 6/8 bar, or dotted triplets (although these do play a role in some Cornish jigs). It can be difficult to get a good bouncy and even sound. However when we do manage it, it is electric!

Two of our common jig sets are: Falmouth Gig (D), Bishop’s Jig (G) and Porthlystry (D), and the Petticoats set. These are two very old tunes found in the archives of Morval House near Looe. Thanks to their publication by Mike O’Connor we first introduced them to our dance group Tros an Treys last year, and then to the session. Petticoats Tight (D) is followed by Petticoats Loose (G minor). Neither are on Kesson yet.

Listen out for some new jig sets, with particular favourites such as Ker Syllan by Merv Davey and The Mallard (An Culyek Hos) as well as Forbidden Fruit (which was adapted from an early 19th century carol). All can be found on our current set list.

Hornpipes

We play a couple of hornpipe sets that can vary. Currently you can always expect to play We Be (G), Tinner’s Fancy (D) and Causewayhead (G/D). Occasionally we will rest We Be and return to Cock in Britches (G).

Boscastle Breakdown always appears as the start of a three-tune set with Quay Fair (D) and Duncan Hunkin (G).

Coming up

We’d like to introduce some 5-steps (Kabm Pemp) into our regular sessions. So far we have tried Tansys Golowan (D) paired with Coer Elath (G) as well as Oll an Gerriow (Am) with Neidges Awarra (Em). You might also expect the return of some tunes that are being rested as well as the reworking of some sets. It can be difficult to balance the introduction of new tunes to a session while retaining a critical mass of tunes most people can have a go at. Two sets that I predict will become new favourites is a pair of hornpipes called Travelling with Strangers/Waiting for a Bus (D/G) and Polperro Furry which goes very nicely after the haunting Descent (D minor) by Steph Doble.

If you have any suggestions for new tunes and sets please do leave a comment.

Join us every Thursday, 8-10pm at the Admiral Benbow Pub, Chapel Street, Penzance.

Penzance Cornish Session is six months old!

On Thursday 4th April the Penzance Cornish Session, a weekly pub session dedicated to Cornish traditional music, turns 6 months old. We held our first session on Thursday 4th October 2018, and it’s been held every week since, with just a break for Christmas. It’s been great fun so far, and we’re looking forward to the summer with all its visitors to Penzance, and sharing the wonderful tunes from Cornwall with tourists and locals alike in the Admiral Benbow.

There’s a great core of regular musicians, but we welcome more to join us. The session is led by melodeon player John Gallagher, along with the Cornish Trad authors, with members of Tros an Treys, Golowan Band, Penzance Guizers, Craggs Law (and several of us are in several of these!). We’ve had melodeons, concertinas, fiddles, mandolins, mandolas, bouzoukis, plus the occasional guitar and autoharp. Some musicians have joined us while on holiday and have picked up a few tunes with us along the way.

Have a listen to one of the sets recorded in the pub in November 2018. The Cornish Session is every Thursday 8-10pm. Come along sometime!

Find out more about the Penzance Cornish Session.

Marc Cragg and Andrew Law of Cragg’s Law playing at the Penzance Cornish Session
1830s flutina at the Penzance Cornish Session
Our second session in October 2018 saw the Admiral Benbow packed out with the German crew from the nearby filming of a Rosamund Pilcher episode.